Sinograph Addenda
Pinyin — how to read the voice
Every character in this school carries its modern Mandarin reading in pinyin — the official romanization of Chinese, adopted in 1958 and used today everywhere from Beijing classrooms to your phone’s keyboard.1 Pinyin uses familiar letters, but about a third of them do not say what an English reader expects. This page is the key: read it once, come back when a syllable surprises you.
The tones
A Mandarin syllable has a tone — a fixed pitch shape that is as much a part of the word as its consonants. Same syllable, different tone, different word: mā is “mother,” mǎ is “horse.” The tone mark sits over the vowel, and its shape draws the pitch:
| Tone | Mark | Shape | Say it like | Word |
|---|---|---|---|---|
| first | high and level | a singer holding a note: maaa | 媽 "mother" | |
| second | rising | the lift of a question: ma? | 麻 "hemp" | |
| third | low dip, then rise | a doubtful, drawn-out ma-a? from the bottom of the voice | 馬 "horse" | |
| fourth | sharp fall | a command: ma! — the pitch of "No!" | 罵 "to scold" | |
| neutral | short, unstressed | the throwaway second syllable of "sofa" | 嗎 (question particle) |
(The neutral row’s clip is 嗎, the question particle — listen for how it is thrown away: short, low, unstressed.) All four tones in one breath, one voice:
Mother scolds the horse about the hemp: the ma set is the tradition’s own first lesson, and it is worth saying aloud until the four shapes feel different in your mouth.
The initials
Consonants, in the groups that matter. The left column is pinyin; the “hold” column is the closest English anchor — exact values, where English has none, are in the bracketed IPA (the International Phonetic Alphabet).2
| Letters | IPA | The hold |
|---|---|---|
· · |
[p] [t] [k] | like English b/d/g but with NO voice-buzz — really the p/t/k of "spy," "sty," "sky": no aspiration, no hum |
· · |
[pʰ] [tʰ] [kʰ] | English p/t/k with the puff turned up — "pie," "tie," "kite" said emphatically |
· · · · |
[m] [f] [n] [l] [s] | just what they look like |
| [x] | rougher than English h — the Scottish "loch" sound, lightly | |
· · |
[tɕ] [tɕʰ] [ɕ] | the smiling sounds: "jee," "chee," "shee" said with spread lips and the tongue-tip DOWN behind the lower teeth — q is j with a puff, x is the matching hiss |
· · · |
[ʈʂ] [ʈʂʰ] [ʂ] [ɻ] | the retroflex family: "j," "ch," "sh," "r" with the tongue-tip curled up and back — say "sh" while pointing the tongue at the roof of the mouth |
· |
[ts] [tsʰ] | "ds" as in "kids"; c is "ts" as in "cats" with a puff — never English k |
· |
[w] [j] | as in English — mostly spelling devices for syllables that begin with u or i |
The two traps: the j q x row (no English match — aim for “jee/chee/shee” with the tongue-tip resting down) and the fact that c is always ts: 曹操 begins like “tsow,” never like “cow.” Hear the trap rows. Every row below holds the tone constant, so the only thing that changes from clip to clip is the consonant — and in the first two rows the columns line up as minimal pairs: read down a column (/, /, /) to hear the puff appear, nothing else:
| Row | ||||
|---|---|---|---|---|
| no puff | ||||
| with the puff | ||||
| the smiling three | ||||
| tongue curled back | (its lone r, fourth tone) | |||
| ds / ts / s | ||||
| n / l |
Notice how the buzz of , , and just carries on where an English vowel would start — that is the “i” of the third face. In the same three-way step meets a plain “oo” vowel instead, so the ds/ts/s difference stands alone.
The finals
Vowels and endings. Most are steady; three need care.
| Letters | IPA | The hold |
|---|---|---|
· · |
[a] [o] [u] | "father," "more," "food" — full and steady |
| [ɤ] | NOT "eh": an unrounded "uh" from the back of the mouth — the vowel of "duh" with spread lips. 德 ≈ "duh," rising | |
· · |
[i] / [ɹ̩] | three faces: "ee" after most letters (, ); but after z/c/s and zh/ch/sh/r it is only the buzz of the consonant continuing — ≈ "dzz," ≈ "shr." It is never "eye" |
· |
[y] | say "ee" and round the lips to a whistle — French *u*, German *ü*: 女 , 律 . After j, q, x, y the dots are dropped in spelling but the sound stays: , both have it |
· · · |
[ai] [ei] [au] [ou] | "eye," "hey," "how," "low" |
· · · · |
[an] [ən] [aŋ] [əŋ] [ʊŋ] | -n as in "fan"; -ng as in "song," never breaking into a hard g |
| [ɚ] | American "er" in "her" — its own syllable: 二 , "two" |
Hear the two sounds English is missing — the whistle-vowel and the back-of-the-mouth e:
Tones on the move
Two adjustments happen in real speech, and you will hear them the moment you listen to any recording:
- Two third tones in a row: the first becomes a second tone. “Hello,” written , is said ní hǎo.
- 不 “not” and 一 “one” shift tone by what follows them — 不 is bù alone but bú before a fourth tone; 一 is yī in counting, yí or yì in the flow of speech.
Texts in this school always print the base tone — the dictionary’s form — and let your ear make the adjustments, which is the standard practice.
A modern voice for old texts
One honest reminder from the course orientation: pinyin gives you the modern Mandarin readings — the voice the field itself uses to read the classics aloud. The classics were not pronounced this way; the old sounds are a reconstruction problem, and this school tells that story in its own later chapter rather than pretending the problem away.
The audio is synthesized: one standard modern-Mandarin voice for every syllable and every voiced line in the school, and every clip is machine-checked before it ships — it must sing the tone it prints, at matched loudness, or it is refused and remade. Engine, voice, and per-file records in the credits file, served from this site, never hotlinked.
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The Scheme for the Chinese Phonetic Alphabet (汉语拼音方案), promulgated 1958; ISO 7098 internationally. IPA values for Standard Chinese follow San Duanmu, The Phonology of Standard Chinese (2nd ed., 2007). ↩
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The International Phonetic Alphabet — the field’s standard notation in which one symbol always means one sound; brackets here give the exact target where English approximations blur. ↩